AGNES OF SORRENTO
CHAPTER I
THE OLD TOWN.
The setting sunbeams slant over the antique gateway of Sorrento, fusing into a golden bronze the brown freestone vestments of old Saint Antonio, who with his heavy stone mitre and upraised hands has for centuries kept watch thereupon.
A quiet time he has of it up there in the golden Italian air, in petrified act of blessing, while orange lichens and green mosses from year to year embroider quaint patterns on the seams of his sacerdotal vestments, and small tassels of grass volunteer to ornament the folds of his priestly drapery, and golden showers of blossoms from some more hardy plant fall from his ample sleeve-cuffs. Little birds perch and chitter and wipe their beaks unconcernedly, now on the tip of his nose and now on the point of his mitre, while the world below goes on its way pretty much as it did when the good saint was alive, and, in despair of the human brotherhood, took to preaching to the birds and the fishes.
Whoever passed beneath this old arched gateway, thus saint-guarded, in the year of our Lord's grace—, might have seen under its shadow, sitting opposite to a stand of golden oranges, the little Agnes.
A very pretty picture was she, reader.—with such a face as you sometimes see painted in those wayside shrines of sunny Italy, where the lamp burns pale at evening, and gillyflower and cyclamen are renewed with every morning.
She might have been fifteen or thereabouts, but was so small of stature that she seemed yet a child. Her black hair was parted in a white unbroken seam down to the high forehead, whose serious arch, like that of a cathedral-door, spoke of thought and prayer. Beneath the shadows of this brow lay brown, translucent eyes, into whose thoughtful depths one might look as pilgrims gaze into the waters of some saintly well, cool and pure down to the unblemished sand at the bottom. The small lips had a gentle compression which indicated a repressed strength of feeling; while the straight line of the nose, and the flexible, delicate nostril, were perfect as in those sculptured fragments of the antique which the soil of Italy so often gives forth to the day from the sepulchres of the past. The habitual pose of the head and face had the shy uplooking grace of a violet; and yet there was a grave tranquillity of expression, which gave a peculiar degree of character to the whole figure.
At the moment at which we have called your attention, the fair head is bent, the long eyelashes lie softly down on the pale, smooth cheek; for the Ave Maria bell is sounding from the Cathedral of Sorrento, and the child is busy with her beads.
By her side sits a woman of some threescore years, tall, stately, and squarely formed, with ample breadth of back and size of chest, like the robust dames of Sorrento. Her strong Roman nose, the firm, determined outline of her mouth, and a certain energy in every motion, speak the woman of will and purpose. There is a degree of vigor in the decision with which she lays down her spindle and bows her head, as a good Christian of those days would, at the swinging of the evening bell.
But while the soul of the child in its morning freshness, free from pressure or conscience of earthly care, rose like an illuminated mist to heaven, the words the white-haired woman repeated were twined with threads of worldly prudence,—thoughts of how many oranges she had sold, with a rough guess at the probable amount for the day,—and her fingers wandered from her beads a moment to see if the last coin had been swept from the stand into her capacious pocket, and her eyes wandering after them suddenly made her aware of the fact that a handsome cavalier was standing in the gate, regarding her pretty grandchild with looks of undisguised admiration.
"Let him look!" she said to herself, with a grim clasp on her rosary;—"a fair face draws buyers, and our oranges must be turned into money; but he who does more than look has an affair with me;—so gaze away, my master, and take it out in buying oranges!—Ave, Maria! ora pro nobis, nunc et," etc., etc.
A few moments, and the wave of prayer which had flowed down the quaint old shadowy street, bowing all heads as the wind bowed the scarlet tassels of neighboring clover-fields, was passed, and all the world resumed the work of earth just where they left off when the bell began.
"Good even to you, pretty maiden!" said the cavalier, approaching the stall of the orange-woman with the easy, confident air of one secure of a ready welcome, and bending down on the yet prayerful maiden the glances of a pair of piercing hazel eyes that looked out on each side of his aquiline nose with the keenness of a falcon's.
"Good even to you, pretty one! We shall take you for a saint, and worship you in right earnest, if you raise not those eyelashes soon."
"Sir! my lord!" said the girl,—a bright color flushing into her smooth brown cheeks, and her large dreamy eyes suddenly upraised with a flutter, as of a bird about to take flight.
"Agnes, bethink yourself!" said the white-haired dame;—"the gentleman asks the price of your oranges;—be alive, child!"
"Ah, my lord," said the young girl, "here are a dozen fine ones."
"Well, you shall give them me, pretty one," said the young man, throwing a gold piece down on the stand with a careless ring.
"Here, Agnes, run to the stall of Raphael the poulterer for change," said the adroit dame, picking up the gold.
"Nay, good mother, by your leave," said the unabashed cavalier; "I make my change with youth and beauty thus!" And with the word he stooped down and kissed the fair forehead between the eyes.
"For shame, Sir!" said the elderly woman, raising her distaff,—her great glittering eyes flashing beneath her silver hair like tongues of lightning from a white cloud, "Have a care!—this child is named for blessed Saint Agnes, and is under her protection."
"The saints must pray for us, when their beauty makes us forget ourselves," said the young cavalier, with a smile. "Look me in the face, little one," he added;—"say, wilt thou pray for me?"
The maiden raised her large serious eyes, and surveyed the haughty, handsome face with that look of sober inquiry which one sometimes sees in young children, and the blush slowly faded from, her cheek, as a cloud fades after sunset.
"Yes, my lord," she answered, with a grave simplicity,—"I will pray for you."
"And hang this upon the shrine of Saint Agnes for my sake," he added, drawing from his finger a diamond ring, which he dropped into her hand; and before mother or daughter could add another word or recover from their surprise, he had thrown the corner of his mantle over his shoulder and was off down the narrow street, humming the refrain of a gay song.
"You have struck a pretty dove with that bolt," said another cavalier, who appeared to have been observing the proceeding, and now, stepping forward, joined him.
"Like enough," said the first, carelessly.
"The old woman keeps her mewed up like a singing-bird," said the second; "and if a fellow wants speech of her, it's as much as his crown is worth; for Dame Elsie has a strong arm, and her distaff is known to be heavy."
"Upon my word," said the first cavalier, stopping and throwing a glance backward,—"where do they keep her?"
"Oh, in a sort of pigeon's nest up above the Gorge; but one never sees her, except under the fire of her grandmother's eyes. The little one is brought up for a saint, they say, and goes nowhere but to mass, confession, and the sacrament."
"Humph!" said the other, "she looks like some choice old picture of Our Lady,—not a drop of human blood in her. When I kissed her forehead, she looked into my face as grave and innocent as a babe. One is tempted to try what one can do in such a case."
"Beware the grandmother's distaff!" said the other, laughing.
"I've seen old women before," said the cavalier, as they turned down the street and were lost to view.
Meanwhile the grandmother and granddaughter were roused from the mute astonishment in which they were gazing after the young cavalier by a tittering behind them; and a pair of bright eyes looked out upon, them from beneath a bundle of long, crimson-headed clover, whose rich carmine tints were touched to brighter life by setting sunbeams.
There