Then a great plan was made throughout the place: all, men and women, would die for their beloved city. In the vaults and caverns which stretch below the rock a vast funeral pyre was built, and to it came the Rajput women singing, dressed in their festal robes, and glittering in all their jewels. The last to enter the vault of death was Padmani, and when the gate was closed upon her the men knew their turn had come. Setting the little Prince in the midst of a picked band, who had sworn to bear him off in safety, the King led his sons and chieftains to the battle. The gates were flung open, and the warriors, clad in bridal robes, hurled themselves upon the foe: for the bride they sought was death.
When the last had died for Chitore, Allah-u-din entered the city. But it was an empty triumph. Every house, every street, was still and silent, only a wisp of smoke oozed from the vault. This was the first sack of Chitore.
The second sack was in the time of Humayun, father of Akbar the Great. The ruler of Chitore had died, leaving a baby son to inherit the crown, and when a powerful foe came against the city, the child's mother, Kurnavati, sent messengers to Humayun, saying: "Tell him that he is bracelet-bound brother to me, and that I am hard pressed by a cruel foe."
There is an ancient custom in India by which a woman may choose a bracelet-brother to protect and assist her. She may choose whom she pleases, and she sends him a silken bracelet, called a ram-rukki. It is a mere cord of silk, bound with a tassel, and hung with seven tiny silken tassels – red, orange, yellow, green, blue, indigo, violet, the colours of the rainbow. The man may accept this bracelet or not, as he pleases; but once he has bound it round his wrist, he becomes the bracelet-brother of the sender, and is bound to her service. In return for the bracelet he sends the customary gift of a small breast-bodice.
Now Humayun, the Mogul King, was bracelet-brother to Kurnavati, and when he heard that she was in distress, he hurried to her assistance. But he came too late, and the garrison of Chitore saw that their city must fall. Then they remembered the first sack, and all resolved to die in the same way. Kurnavati succeeded in getting her little son away in safety; then she led the women to the funeral pyre. The men of the garrison were few, for many had fallen, but the gallant handful, clad as before in bridal robes and crowns, dashed upon the foe, and died to the last man, ringed about with heaps of slain.
Although the baby King, Udai Singh, was smuggled in safety from Chitore, it was not long before he was in danger again. He was carried off to the palace of his half-brother, Bikramajit, where he lived under the care of his foster-mother, Punnia. One night Punnia heard a terrible uproar, and then the screams of women. Enemies had broken into the palace of Bikramajit. But whose life did they seek above all? Punnia knew, and she saw that Udai Singh was in great danger. How could she save him? There was only one way, a terrible way; but the Rajput woman did not flinch. Two children lay sleeping before her, Udai Singh and her own child. She caught up the baby King and thrust sugared opium into his mouth that he might be lulled into deeper, safer slumber, hid him in a fruit-basket, and gave the precious burden to the hands of a faithful servant. "Fly to the river-bed without the city," she said, "and wait for me there."
Then she flung the rich royal robe over her own sleeping child, and waited for the murderers. In they burst. "The Prince!" they cried. "Where is the Prince?"
With a supreme effort Punnia pointed to the little figure beneath the splendid robe, and hid her face, giving the life of her own child to save that of the little King.
When all was over, and the last funeral rites had been performed over the body of the child whom the conspirators supposed to be the young King, Punnia sought the river-bed. There she found her nursling, and with him she fled over hill and dale, never resting till she gained a strong fortress held by a loyal governor. Into his presence she hastened, and set the child on his knee. "Guard well the life of the King!" she cried, this noble Rajput woman.
The third sack of Chitore happened in the days of Akbar the Great, son of Humayun, who had once hurried to the aid of the city. The Rajputs and the Great Mogul came to blows. Akbar led a powerful army against his foes. This was the last sack, "for the conqueror was of right royal stuff, and knew how to treat brave men. So when the final consummation was once more reached, and thousands of brave men had gone to death by the sword, and thousands of brave women met death by fire, he left the city, levying no ransom, and on the place where his camp had stood raised a white marble tower, from whose top a light might shine to cheer the darkness of Chitore. But a few years afterwards, when in dire distress and riding for his life through an ambush, the man on Akbar's right hand and the man on his left, shielding him from blows, making their swords his shelter, were two of the defeated Rajput generals."
These are stories of long ago. Here is one of times nearer our own, when the English were mastering India. A beautiful Rajput Princess, the Princess Kishna Komari, was sought in marriage by three powerful suitors. She could not wed all three, and her father feared the vengeance of the fierce men who quarrelled over his daughter's hand. Lest their savage disputes might end in attack upon his city and palace, he said that his daughter must die. "She took the poison offered her, smiling, saying to her weeping mother, 'Why grieve? A Rajput maiden often enters the world but to be sent from it. Rather thank my father for giving you me till to-day.'"
CHAPTER III
IN THE LAND OF THE RAJPUTS (Continued)
The ancient town of Chitore still stands on its ridge, with its grey lines of ruined walls and towers broken by two beautiful Towers of Victory, which raise their slender columns toward the sky. The smaller tower is very old, having been raised in A.D. 896, and the larger was built in A.D. 1439 to celebrate a victory of the Rajputs over their Moslem enemies. The latter is ornamented with most beautiful carving, rises to the height of 130 feet, and is divided into nine stories.
Some sixty miles from Chitore lies Oudeypor, or Udaipur, a Rajput city of great fame, for it is said to be the most beautiful city in all India. It is also of deep interest as being one of the few cities where the old native life goes on almost untouched by the presence and influence of the white people in the land. Here strut Rajput nobles in silken robes decked with gems, and followed by splendidly clothed and armed retainers. Here the elephant is seen at its proper work of carrying stately howdahs, carved and gilded and hung about with curtains of rich brocade, while long flowing draperies of cloth of gold, embroidered in the most lovely patterns and in the most striking and brilliant colours, sweep down the broad flanks of the huge slow-moving beast, and almost brush the ground with long fringed tassels. Here are bevies of women who resemble a moving garden in their shining silks of every hue that is soft and delicate, and here are naked coolies, whose bronze bodies glisten with sweat as they toil along under their load of water-skins or huge baskets heaped with earth.
The people in the streets of Udaipur strike the traveller at once as a finer type than usual. The men are tall, slender, and of lofty bearing; their features are fine, sharp, and regular. As regards the women's features you cannot judge, for in Udaipur the rule that no woman's face shall be seen by a stranger is very strictly observed. Even the poorest woman, however busily she may be at work, has a hand at liberty to draw her filmy veil of coloured gauze, red or green or blue or pink, across her face when anyone glances her way.
As the crowd passes along, two things above all strike our eyes – the beards of the men, the jewellery of the women. The beard of the Rajput is very black; it is combed and brushed till it shines in the sun; it is as large as he can grow it; then it is parted in the middle, and drawn round the face so that it stands out on either side, and the ends are curled. It is said that a Rajput dandy who cannot get his beard to properly part in the middle will draw it round his face to the required shape, and then tie a bandage tightly round his head to train the hair to the mode which he and his friends affect.
The jewellery of the women is overwhelming, and this word is meant in its literal sense: the women are absolutely loaded with ornaments. If they are wealthy, the ornaments are of gold, decked with precious stones; the poorer classes are weighed down with silver. A Rajput woman often carries on her person the wealth of her house, and may be regarded as the family savings bank. One writer, speaking of the ornaments upon a working woman of the lower classes, says:
"Her