Front Lines
FOREWORD
These tales have been written over a period running from the later stages of the Somme to the present time. For the book I have two ambitions – the first, that to my Service readers it may bring a few hours of interest and entertainment, may prove some sort of a picture and a record of what they themselves have been through; the second, that it may strike and impress and stir those people at home who even now clearly require awakening to all that war means.
I know that a great many war workers have been, and still are, bearing cheerfully and willingly the long strain of war work, and I very gladly and thankfully offer my testimony to what I have seen of this good spirit. But it would be idle to deny, since the proofs have been too plain, that many war workers are not doing their best and utmost, are not playing the game as they might do and ought to do, and it is to these in particular I hope this book may speak.
Surely by now every worker might appreciate the fact that whatever good cause they may have for “war weariness” they are at least infinitely better off than any man in the firing line; surely they can understand how bitter men here feel when they hear and read of all these manifestations of labour “discontent” and “unrest.” We know well how dependent we are on the efforts of the workers at home, and there are times when we are forced to the belief that some workers also know it and trade on it for their own benefit, are either woefully ignorant still of what the failure of their fullest effort means to us, or, worse, are indifferent to the sufferings and endurings of their men on active service, are unpatriotic, narrow, selfish enough to put the screw on the nation for their own advantage.
I beg each war worker to remember that every slackening of their efforts, every reduction of output, every day wasted, every stoppage of work, inevitably encourages the enemy, prolongs the war, keeps men chained to the misery of the trenches, piles up the casualties, continues the loss of life. A strike, or the threat of a strike, may win for the workers their 12½ per cent. increase of pay, the “recognition” of some of their officials, their improved comfort; but every such “victory” is only gained at the expense of the men in the trenches, is paid for in flesh and blood in the firing line.
When men here are suffering as they must suffer, are enduring as they do endure with good heart and courage, it comes as a profound shock and a cruel discouragement to them to read in the papers, or go home and discover, that any people there are apparently indifferent to their fate, are ready to sacrifice them ruthlessly for any trivial personal benefit, refuse to share the pinch of war, must have compensating advantages to level up “the increased cost of living,” will even bring a vital war industry to a standstill – it has been done – as a “protest” against the difficulty of obtaining butter or margarine and tea. It may be that one grows one-sided in ideas after more than three years’ soldiering, but can you blame us if we feel contempt for pitiful grumblers and complainers who have a good roof overhead, a warm room and fire, a dry bed, and no real lack of food, if we feel anger against men who have all these things and yet go on strike, knowing that we must pay the penalty? And let me flatly deny the claim which some strikers and agitators still make that in these upheavals and checks on war industry they are “fighting for the rights of their mates in the trenches.” Their “mates in the trenches” will be ready and able to, and certainly will, fight for their own rights when the war is won and they can do so without endangering or delaying the winning.
Meantime can any man be fool enough honestly to believe that “mates in the trenches” want anything more urgently than to win the war and get out of it? If there are any such fools let them try to imagine the feelings of the “mate” cowering and shivering over a scanty handful of wet wood or black-smoky dust “coal ration” who hears that coal miners at home threaten a strike; of the man crouched in a battered trench that is being blasted to bits by German steel shells from steel guns, who learns that our steel-makers are “out” and if their demands were not satisfied would continue to strike indefinitely and hold up the making of the guns and shells which alone can protect us; of the man who is being bombed from the air night after night in his billets and reads that 50,000 aircraft workers are on strike, and that the Front will be poorer as a result by hundreds of the aircraft which might bomb the enemy ’dromes out of action and stop their raiding; the dismay of the man about to go on a long deferred and eagerly waited leave when he is told that all leaves may have to be stopped because a threatened strike of “foot-plate” workers may strand him at his debarkation port. Will it soothe or satisfy a man in any of these cases to be told the strikes are really fights for his rights, especially when you remember he knows that as a result of the strike he may be too dead to have any rights to be fought for?
The best I can wish for this book is that it may do even one little bit to make plain with what cheerfulness – cheerfulness and even at times almost incredible humour – the Front is sticking it out, with what complete confidence in final victory this year’s fight is being begun; and may make yet more plain the need for every man and woman at home to give their last ounce of energy to help win the war speedily and conclusively.
I
TRENCH-MADE ART
By the very nature of their job the R.A.M.C. men in the Field Ambulances have at intervals a good deal of spare time on their hands. The personnel has to be kept at a strength which will allow of the smooth and rapid handling of the pouring stream of casualties which floods back from the firing line when a big action is on; and when a period of inactivity comes in front the stream drops to a trickle that doesn’t give the field ambulances “enough work to keep themselves warm.”
It was in one of these slack periods that Corporal Richard, of the Oughth London Field Ambulance, resumed the pleasurable occupation of his civilian days, to his own great satisfaction and the enormous interest of his comrades. Richard in pre-war days had been a sculptor, and the chance discovery near the ambulance camp of a stream where a very fair substitute for modelling clay could be had led him to experiments and a series of portrait modellings. He had no lack of models. Every other man in his squad was most willing to be “took,” and would sit with most praiseworthy patience for as long as required, and for a time Richard revelled in the luxury of unlimited (and free-of-cost) models and in turning out portraits and caricatures in clay. He worked with such speed, apparent ease, and complete success that before long he had half the men endeavouring to imitate his artistic activities.
Then Richard attempted more serious work, and in the course of time turned out a little figure study over which the more educated and artistic of his friends waxed most enthusiastic, and which he himself, considering it carefully and critically, admitted to be “not bad.” On the other hand, it is true that many members of the company regarded the masterpiece with apathy, and in some cases almost with disapproval. “Seems a pity,” said one critic, “that the corp’ril should ’ave wasted all this time over the one job. Spent every minute of ’is spare time, ’e ’as, fiddlin’ an’ touchin’ up at it; could ’ave done a dozen o’ them picturs o’ us chaps in the time. An’, now it is done, ’tain’t quarter sich a good joke as that one o’ the sergeant-major wi’ the bottle nose. Fair scream, that was.”
But in due time the corporal went home on leave, and took his study along with him. Later it gained a place in an exhibition of “Trench-made Art” in London, many newspaper paragraphs, and finally a photo in a picture paper and a note stating who the work was by and the conditions under which it was performed.
A good score of the picture papers arrived at the Oughth London from friends at home to men in the unit. That did it. There was an immediate boom in Art in the Oughth London, and sculpture became the popular spare-time hobby of the unit. This was all, as I have said, at a period when spare time was plentiful. The unit was billeted in a village well behind the firing-line in a peacefully sylvan locality. It was early summer, so that the light lasted long in the evenings, and gave plenty of opportunity to the sculptors to pursue their Art after the day’s duties were done.
As a consequence the output of sculpture would have done credit – in quantity if not, perhaps, in quality – to a popular atelier in full swing. The more enterprising attempted to follow the corporal’s path in portrait