The Memoirs of Admiral Lord Beresford
This work is a record of my life from the year 1859, when I entered the Royal Navy, to the year 1909, when I hauled down my flag and came on shore.
For the Introduction and the Notes, which have been written in order to amplify the personal narrative and to connect it with the historical events of the period, Mr. L. Cope Cornford is responsible.
I have dedicated the book to my brother officers of the Royal Navy.
As luck would have it, my career has been of a singularly varied character. And my hope is that, in reading its story, boys and girls, as well as their elders, may find pleasure.
CHARLES BERESFORD
Admiral
1 GREAT CUMBERLAND PLACE, W.
June 1914
INTRODUCTORY NOTE
Lord Charles William de la Poer Beresford, born in 1846, was the second of five brothers, sons of Sir John de la Poer Beresford, fourth Marquess of Waterford. Lord Charles's elder brother, Sir John Henry de la Poer Beresford (to give him his full title), Earl and Viscount of Tyrone, Baron de la Poer of Curraghmore in the county of Waterford, and Baron Beresford of Beresford in the county of Cavan, in the Peerage of Ireland, and Baron Tyrone of Haverfordwest in the county of Pembroke, in the Peerage of Great Britain, Knight of the Most Illustrious Order of St. Patrick, succeeded to these titles in 1866. Sir John joined the 1st Life Guards. He died in 1895, and was succeeded by his son (nephew to Lord Charles), as presently to be noted.
Of the other three brothers, Lord William de la Poer joined the 9th Lancers and became Military Secretary to five successive Viceroys of India, was a patron of the Turf, and died in 1900; Lord Marcus de la Poer joined the 7th Hussars, took charge of the King's racehorses, an office which he still fulfils, and was appointed Extra Equerry to King George; Lord Delaval James de la Poer (sixteen years younger than Lord Charles) ranched in North America and was killed in a railway accident in 1906.
The five brothers were keen sportsmen, hard riders, men of their hands, high-couraged, adventurous, talented in affairs, winning friendship and affection wherever they went. Lord John-Henry, fifth Marquess, the eldest brother, inherited the family tradition of good landlordship. There was never any oppression of tenants on the Waterford estate. In the House of Lords and in the country, Lord Waterford took a strenuous part in the troubled and complex issues of Irish politics; although during the last years of his life he was crippled and helpless, the result of an accident which befell him in the hunting field. Lord William won the V.C. by an act of cool and audacious gallantry in the Zulu war of 1879; renowned for reckless hardihood, there was hardly a bone in his body which he had not broken; and it is probable that his injuries, diminishing his powers of resistance, caused him to succumb to his last illness. Lord Charles has broken his chest-bone, – a piece of which was cut out in his boyhood, leaving a cavity, – pelvis, right leg, right hand, foot, five ribs, one collar-bone three times, the other once, his nose three times; but owing to his extraordinary physique and strict regimen, he is younger and stronger at the time of writing than most men of half his age.
The family home of the five brothers was Curraghmore, a noble estate lying some twelve miles west of Waterford. The great house stands in a cup of the hills, whose slopes are clothed with woods of oak, the primæval forest of Ireland. The oak woods adjoining the house were planted with the design of supplying timber to the Royal Navy. Built foursquare, like most houses in Ireland, the mansion faces upon a vast gravelled quadrangle, closed in on left and right by the long ranges of stables. Beyond the lawns of the terraced garden, beyond the hanging woods, the bony shoulders of the mountains of Comeragh hunch upon the changing sky; nearer hand, darkens the lone hill of Croughaun; and day and night the noise of running waters, the voice of the Clodagh River, flowing through tawny shallow and sombre pool, breaking white-maned upon rock and fall, rises upon the quiet air. Looking westward from the bare summit of the hill above the deer-park, you shall view the rich valley parcelled into garden and farm and paddock, which are set among deep groves; in the midst, flanked by a gleam of water, the house darkens upon the westering sunlight; and beyond, the sparkling landscape fades into the profound and aerial blue of the mountain wall. Eastward, the rounded bosses of the forest clothe the hills; and in the valley's gentle opening, the river Suir, like a scimitar laid on cloth of tapestry, glimmers dark and bright upon the plain, which, studded with woods and dotted with white specks of villages, stretches to where the dim sea-line merges in the sky.
Over yonder, cloven through the heart of the ancient woods, a green drive rises to the skyline, bordered on either side by rhododendrons, like huge ropes of jewels, three miles long. In the forest there is silence. Few birds or none nest in that deep labyrinth of silver-barked and shaggy trees, rooted for centuries in the mould of their own perennial decay. The martin-cat is lord of that hoary solitude. As a boy, Lord Charles trapped the martin-cats, and presented his mother with a muff made from their skins.
High on the hill rising to the north of the house of Curraghmore, set in a grove of beeches and enclosed within a wall, the last resting-place of the Beresfords opens upon a great and shining prospect of wood and mountain. Here is a wide and broad stone platform, like an ancient altar, the hue of rusty iron, compact of the granite slabs whereon the names of the dead are graven. On three sides it is walled with the tall silver stems of beeches, whose branches high overhead interlace in a green canopy.
Hard by stands the private chapel, once the parish church of Clonegam, a bleak and an unfeatured edifice. Within, there reclines the bronze effigy of the third Marquess, he of the aquiline profile and the full beard, who broke his neck out hunting in 1859. Opposite to him lies the white marble figure, urbane and majestic, of Lord John, his successor, father of Lord Charles Beresford. In the south wall of the chancel, in an arched recess cut out of the thickness of the wall, the white light falls from an unseen opening above upon the sculptured figure of a lady, sleeping recumbent, and beside her nestles the tiny form of her child. She was the first wife of the fifth Marquess, and she died in childbirth. Near by the private chapel, high uplifted on the bare shoulder of the hill, stands a round tower, a mark for leagues, the monument set up to the memory of the little boy, Marcus, Lord le Poer, heir to Lord Tyrone, afterwards first Marquess. He died from the effects of a fall from his pony, the accident occurring when he was jumping hurdles just outside the great courtyard of the house. His portrait, painted by Gainsborough, hangs in the drawing-room. It is a noble head, done with Gainsborough's inimitable delicacy. The lad's blue eyes gaze frankly out of the picture; his fair hair curls upon his shoulders; his coat is scarlet, with the open falling collar of the time; the face is of a singular beauty.
Near by, in the centre of the wall, hangs Sir Joshua Reynolds's portrait of Sir Francis Delaval, K.B. A tremendous figure, Sir Francis, posed in a commanding attitude upon a hillside, right arm extended, grasping a musket with fixed bayonet, and clad in a rich suit of claret colour and cocked hat. He was the uncle of the wife of the second Marquess of Waterford. By reason of that alliance, many of the Delaval family pictures came to Curraghmore.
Here is Lord Delaval himself, who died in 1808, a nobleman of a somewhat rugged and domineering countenance. Here is the first Marquess of Waterford, with a long hooked nose; he is thin-lipped, narrow-eyed (it seems that he had a squint), wearing the ribbon and star of a Knight of St. Patrick. Henry, second Marquess, was painted by Sir Thomas Lawrence; a handsome head, crowned with a mass of fine light hair. In the hall hangs the portrait of the third Marquess; he whose bronze effigy lies in the chapel. He is reading. With his pale and finely cast features, his thick brown hair and beard, he might have been (but was not) an ascetic student. He married the Hon. Louisa Stuart, second daughter and co-heiress of Charles, Lord Stuart dc Rothesay. The Marchioness was a lady of taste, and was considered the most talented amateur painter of her day. She laid out anew the gardens, where heretofore the horses used to graze close to the house, took great interest in the improvement of the mansion itself, designed the Cawnpore Memorial, designed Ford village, formerly the property of the Delavals in Northumberland, and achieved a series of cartoons representing religious subjects, which adorn the walls of the school at Ford.
These and many other ancestral portraits gaze from the walls of gallery