p>Alex Raynham
Leonardo da Vinci
LEONARDO DA VINCI
In the 1460s, Florence (a city in what is now Italy) was one of the most important places in Europe, and the rich men of the city had money to spend. It was a good place for an artist, because rich men wanted paintings and sculptures for their great new homes.
In the workshop of the artist Andrea del Verrocchio, the apprentices worked hard, making paint, cutting stone, drawing and finishing paintings. One young apprentice was different from the others. He studied things carefully and asked questions about them. He learned from Verrocchio, from the other apprentices, and from the world around him. And soon the world would know the name of Leonardo da Vinci – one of the greatest painters and thinkers of all time.
Great Clarendon Street, Oxford, OX2 6DP, United KingdomOxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countriesThis simplified edition © Oxford University Press 2013The moral rights of the author have been assertedFirst published 201310 9 8 7 6 5 4 3 2 1No unauthorized photocopyingAll rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the ELT Rights Department, Oxford University Press, at the address aboveYou must not circulate this work in any other form and you must impose this same condition on any acquirerLinks to third party websites are provided by Oxford in good faith and for information only. Oxford disclaims any responsibility for the materials contained in any third party website referenced in this workISBN: 978 0 19 423670 6A complete recording of Leonardo da Vinci is available on CD. Pack ISBN: 978 0 19 423662 1Printed in ChinaWord count (main text): 7,033For more information on the Oxford Bookworms Library, visit www.oup.com/elt/gradedreaderswww.oup.com/elt/gradedreadersACKNOWLEDGEMENTS Cover image: Alamy Images (Self portrait of Leonardo da Vinci/Leo Macario) The publishers would like to thanks the following for permission to reproduce images: Alamy Images cover (Self portrait of Leonardo da Vinci/Leo Macario); Bridgeman Art Library Ltd pp.5 (Woman looking down/British Museum, London, UK), 007a (The Lady with the Ermine/Czartoryski Museum, Cracow, Poland), 17 (Studies of the coronary vessels/The Royal Collection 2011 Her Majesty Queen Elizabeth II), 29 (An Acrobat and Wrestlers Performing, 15th century/Ashmolean Museum, University of Oxford, UK), 41 (A study of a woman’s hands/The Royal Collection © 2011 Her Majesty Queen Elizabeth II); Corbis pp.008a (The Last supper by Leonardo da Vinci/The Gallery Collection/Corbis), 10 (Horse in profile/Derek Bayes – Art/Lebrecht Music & Arts), 13 (Mona Lisa by Leonardo da Vinci/The Gallery Collection), 16 (Vitruvian Man by Leonardo da Vinci/Bettmann), 18 (Armoured Tank designed by Leonardo Da Vinci on display in Hangzhou/WU HONG/epa), 26 (Diving suit/ James L. Amos), 31 (The Madonna and Child with Saint Anne by Francesco Melzi/Christie’s Images), 37 (Clos Luce Mansion/David Brabyn), 38 (Leonardo Da Vinci statue/Tetra Images), 39 (Statue of a horse/Ocean), 44 (Medieval battle re-enactment/Jim Richardson/National Geographic Society), 44 (ASIMO robot/Splash News), 44 (Statue of a horse/Ocean); Getty Images pp.32 (Anatomical studies/Hulton Archive), 34 (Santa Maria della Grazie/Leonardo da Vinci), 44 (Castle/Buena Vista Images); Kobal Collection p.33 (The Da Vinci Code/Columbia); Oxford University Press pp.44 (Painting/Corbis), 44 (Workshop/James Hardy); Press Association Images p.20 (Parachute/ Laurent Gillieron/AP); Rex Features pp.28 (The Musician by Leonardo da Vinci/KeystoneUSA-ZUMA), 35 (Da Vinci’s Workshop/Sipa Press); Robert Harding World Imagery pp.0 (Cathedral of Santa Maria, Florence/Roy Rainford), 2 (Vinci, city of Leonardo/age fotostock), 14 (Fossil/ CuboImages), 50 (Florence, Tuscany, Italy/Stefano Cellai); Science Photo Library p.23 (Leonardo’s plan for canals in a town/Sheila Terry); The Art Archive pp.24 (Atlantic Codex/Leonardo da Vinci/DeA Picture Library/Metis E Mida Informatica/Veneranda Biblioteca Ambrosiana), 27 (Cesare BORGIA, 1475–1507/Accademia Carrara Bergamo Italy/Collection Dagli Orti)e-Book ISBN 978 0 19 463078 8e-Book first published 2014 
