The Borough Press
An imprint of HarperCollinsPublishers Ltd
1 London Bridge Street
London SE1 9GF
First published in Great Britain by HarperCollinsPublishers 2017
Copyright © Cherise Wolas
Cover design by Claire Ward © HarperCollinsPublishers Ltd 2018
Cover photographs © Plainpicture/Christopher Eberle (flowers); © Mohammed Itani/Trevillion Images (boys)
Cover illustration The Lioness © Julie Cockburn, courtesy of Flowers Gallery
Cherise Wolas asserts the moral right to be identified as the author of this work
A catalogue copy of this book is available from the British Library
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBN: 9780008201173
Ebook Edition © April 2018 ISBN: 9780008201166
Version: 2018-02-22
Praise for The Resurrection of Joan Ashby:
‘Ambitious … intimate … a terrific twist midway through … That I got so worked up about a person who doesn’t exist is a testament to Wolas’s success in creating a complex and distinct fictional character. Joan Ashby is like no writer I have ever encountered; I’m sure, if she were real, she would be pleased to hear it’
New York Times Book Review
‘A stunning debut – because there is nothing debut about it. It arrives so fully realised that it stuns as it entertains, as it twirls the reader on the sharp point of a #2 pencil. Wolas is a writer in full command of some impressive powers – one might even call them special powers. There is a joyous embrace to her work – to her exploration of the life and mind of her main character, the author Joan Ashby. Ashby is so well rendered that I found myself jealous of her (and Wolas) and also wishing she were my best friend and that we had a standing drinks date. Wolas is singular in her voice – and yet the delicacy, the specificity reminds me of my most favorite authors: J.D. Salinger, Carson McCullers, Truman Capote, Joan Didion’
A.M. Homes
‘Epic in scale … an extraordinary, assured and deeply involving novel about marriage, motherhood, sacrifice and the creative impulse. Highly recommended’
Daily Mail
‘Astonishing … a gorgeous read, big and bold, intelligent and thought-provoking … an incredible book that reads nothing like a debut, so self-assured the writing, so expansive and wholly immersive the plot’
Independent, Ireland
‘A stunning debut novel … a wealth of superb writing, mature insights, and breathtaking risks … A rare book such as this comes along only once in a long while’
New York Journal of Books
‘Breathtaking … will do for motherhood what Gone Girl (2012) did for marriage. ‘A story requires two things: a great story to tell and the bravery to tell it,’ Joan observes. Wolas’ debut expertly checks off both boxes’
Booklist, starred review
‘Like John Irving’s The World According to Garp, this is a look at the life of a writer that will entertain many nonwriters. Like Lauren Groff’s Fates and Furies, it’s a sharp-eyed portrait of the artist as spouse and householder. From the start, one wonders how Wolas is possibly going to pay off the idea that her heroine is such a genius. Verdict: few could do better’
Kirkus Reviews
‘The scope of The Resurrection of Joan Ashby, the breadth of its engagement with the reader, the impressive realization of its ambitious literary character, all resonated so deeply that the pages of these other books offered naught but hollow echoes. Not only had Wolas succeeded in creating a character presented as a literary icon, complete with accompanying primary text, but she powerfully engaged the reader through an exploration of personal identity’
Publishers Weekly’s Shelf Talker
‘ … a tour de force. And while I accept that it is a debut, I am shocked by it. It’s, for me, like the literary equivalent of Athena springing fully formed from the head of Zeus’
Kirkus Reviews’ Fully Booked podcast
‘This is the kind of book that pulls you under and you go willingly. And when it’s over, you come up for air and see anew. In giving us the story of one woman’s struggle to write her own life, Wolas captures worlds in worlds here, and lives in lives. As many currents run in a single river, The Resurrection of Joan Ashby is rich and wide, and deep’
Sarah Blake, author of The Postmistress
‘An audacious and dynamic first novel … a remarkable tapestry of literary skill, emotional insight, and sensational storytelling’
Ivy Pochoda, author of Visitation Street
‘The rapturous advance praise for Cherise Wolas’ assured meta debut, The Resurrection of Joan Ashby, doesn’t do it justice. This ambitious first novel introduces us to an elusive artist with a stratospheric cult following—only to unravel her life, as the blessings of divine inspiration battle the curse of earthly love. Lawyer and film producer Wolas has forged an audacious balancing act whose betrayals come from the least expected corners, submerging readers in a dazzling universe we hate to leave’
Huffington Post, starred review
For Bessie Rudolph, who would have been a writer had the world been different, who told me I was one, when I was just a child.
And for Michael, absolutely everything.
It does not matter what you choose—be a farmer, businessman, artist, what you will— but know your aim, and live for that one thing. We have only one life. The secret of success is